History is a hot woman. We use every means to try to watch it from different angles. We are eager to know her true face, but no matter how hard we try, we will only get a back. We can only analyze, analyze, and restore the truth of history as much as possible. As for the distance between the restored history and the original history, we are not aware of it.
《收租院》is a collection of large-scale sculpture art works created in 1956. It is based on the story of Liu Wencai's exploiting peasants in western Sichuan. It has shaped more than 100 sculptures of various shapes and real people. The statues have a long and long history. Up to 97 meters! Through the seven sets of plots of “sending rent, renting, wind valley, fighting, accounting, renting, and anger”, the works reflect the exploitation and exploitation, oppression and oppression of semi-colonial and semi-feudal social landowners and farmers. This group of statues has not yet been exhibited, and it has been hailed as a "nuclear weapon" in the Chinese art world.
More than 30 days after the exhibition, the audience received 240,404 people, and the average number of viewers per day reached 8,000! At the time, the number of viewers who were waiting to watch the exhibition in Beijing was as high as 2 million.
As a group of works of art,《收租院》is a world-famous summit. However, only one character in the whole group of sculptures has a clear prototype of the name, that is, Liu Wencai, all other characters are all shaped, some are considered to have prototypes, and some even have no prototypes. At that time, the propaganda department of the local committee even gave instructions: "The current design idea is right, real people are not necessary." The so-called justice, sometimes speaking, is quite unreasonable.